The Liquify filter in Photoshop Elements 10 is much more than a filter. It’s a distortion that allows you to manipulate an image as though it were warm taffy. You can interactively twist, pull, twirl, pinch, and bloat parts of your image. How to Use the Liquify Tool in Photoshop. Change Brush Size Often – Each area of your image will probably require using a different sized Brush. The fastest way to change your brush Size in Photoshop is to hold Control+Option (Alt) and click and drag your mouse to the left or right. When using a PC be sure to right click.

1. How To Liquify Photoshop

Learn how to best use the Face Aware features in Liquify to enhance your subject. Also, learn to use the Puppet Warp tool which is covered in an included bonus video! 2 Reviews for Zero to Liquify.

(O) Push Left Tool This is a tool that many don't use much of. It can be useful for some tasks, however. It works in a non intuitive way.

Put your feelings aside and consider using these tips for your post-processing. Start With the Right Workflow You are probably wondering at what stage in the post-production you should start retouching. Make your life simple and edit from the Raw file that has been merely color-corrected for basic exposure, color and tone adjustments. Consider this workflow even when you have delivered creative edits to your client. Let’s jump into Adobe Camera Raw (ACR) and review our settings. I typically leave Clarity and Vibrance set to zero when retouching images. Another important element is Lens Correction.

Instead of clicking the Cancel button down at the bottom of the panel to close things out and start all over again, I can opt to reconstruct what I’ve constructed. In other words, I can undo my changes, to any degree I’d like. They don’t have to be completely reversed. They can be semi-reversely or only slightly reversed. To activate this tool, I’ll click the second button over inside the left toolbar. It’s called the Reconstruct Tool. This tool appears the same way the previous one did.

The Eyes, Nose, Mouth, and Face Shape categories. Eyes Let's start with the eyes. I'll twirl the Eyes category open by clicking on the triangle to the left of its name. You can click the same triangle again later on if you need to close a category to save space on your screen. Here we find a series of sliders, each controlling a different property of the eyes. Again from the top, we have Eye Size, Eye Height, Eye Width, Eye Tilt, and Eye Distance. By default, the sliders are all set to a value of 0 in the center, which means they're currently having no effect on the image.

Smile: Increase or decrease your smile Upper Lip: Increase or decrease your upper lip Lower Lip: Increase or decrease your lower lip Mouth Width: Increase or decrease your mouth width Mouth Height: Increase or decrease your mouth height And with this said, we’re concluding our tutorial. I hope that you’ve enjoyed it. Please support TrickyPhotoshop by sharing this tutorial with your friends and family of Facebook, Twitter, and Google+.

We want to remove lens distortion altogether before we start slimming the face and body. Checking this box can sometimes be half the battle. For pincushion distortion, it’s going to make the subject wider. Let’s keep moving. After making our basic color correction adjustments, we need to adjust some Workflow Options before opening our Raw files in Photoshop. Access these by clicking on the text at the very bottom of the ACR screen displaying color space, bit depth, resolution, camera sensor size and PPI. You’ll notice Adobe 1998 is default and is a suitable color space for a working image in Photoshop.

The shortcut is F. Freeze Mask Painted Forward Warp Thaw Mask When you freeze something, sometimes you want to thaw it out right? Well, if you freeze a part of your picture and decide against it, you can always select the thaw tool to unfreeze it.

Click OK, and you are done. The Results You can spend a day trying to make a client appear more flattering than the pose and lens captured. Your clients do not need the level of Photoshopping typical of an editorial shoot.

Forward Warp Tool The first thing many of us think of when we imagine the Liquify Filter is warping or distorting something. Well, wouldn’t you know it, the very first tool on the left menu can do just that. It’s called the Forward Warp Tool and if you select it and resize your brush by pressing the [ or ] keys on your keyboard, you can distort any part of the image you’d like. I’ll go ahead and do this. I’ll click and drag on the doll’s eyes to distort both of them. I’ll drag one up and one down. In the above screenshot, you can see the brush I was using.

• For more options for the Liquify filter, simply select “Advanced Mode.” Quick Tip There are several keyboard shortcuts you can use while you work with the Liquify tool. Take a look at a quick list below of the top ones: • One of the first keyboard shortcuts you can use is Command+, which will allow you to zoom in closer on the image. • The next keyboard shortcut you can use is Command-, which will allow you to zoom out on the image.

Raise or lower the Upper Lip by dragging the curved line directly above it, or the Lower Lip by dragging the curved line below it. The Mouth Height slider does not have a matching handle, so for that one, you'll need to drag the slider itself. Another example of how the handles and sliders are linked together. More Face Tool Adjustments The real benefit of the Face Tool is that, along with being able to adjust the sliders by dragging directly on the image, it also opens up additional areas that we can adjust; areas that are not accessible with the sliders. But this is also where things can get weird pretty quickly.

Well this is pretty much the same thing except we are pushing the pixels left, or right. By default the push tool says push left but you can push right by holding down ALT and dragging your brush around. I moved my brush in the opposite direction of the push function to get these results. (If pushing left I moved my cursor to the right.) Shortcut is O. Push left Push right Freeze Mask So this essentially allows you to paint a “mask” over any part of the picture you don’t want to be touched by your liquify edits. When you use this tool you paint a semi-transparent red by holding down your clicker and dragging.

When you take the steps to distort the image, you can change, twist, or exaggerate it to look different than in the original version. To distort the image in Photoshop, follow these steps: • Select the layer to distort. If you only want to distort a part of the layer, select the specific area. • Click “Filter” and select “Liquify.” • Free any areas of the layer you do not want to alter. • Choose any of the Liquify tools listed above to make the des.

The only difference is, you can do a heck of a lot more with this thing than you can do otherwise. Also, I’d like to let you know that I’ll be showing you just the basics today.

Smart Objects are an entirely different subject alone but it is good to get in the habit of using smart objects when you can. Moving Into The Liquify Interface Once you have converted your layer to be brought into liquify, simply go to “Filters” and find the LIQUIFY menu option. The following Interface will appear (Or a similar variation of it). This is the Liquify Screen and its options within the Photoshop Liquify Interface The following tools descriptions will help you understand better what each tool does. (W) Forward Warp Tool This will be the tool you will probably use more than any other one inside the Liquify Interface. It basically moves and pushes pixels around based on your brush settings. Those settings are under BRUSH TOOL OPTIONS on the right side of the box.

If you have Tool Tips enabled in Photoshop's Preferences, you can hover your cursor over each handle and the name of its matching slider will appear. The only slider that does not have a handle associated with it is Eye Distance. Here, I'm clicking and dragging downward on the Eye Tilt handle (the curved dotted line), and not only am I changing the angle of the eyes, but we can see that the Eye Tilt slider has moved along with me.

Ladies, I know you always want to look skinnier and this is the latest and greatest tutorial on losing 10, 20, or 50lbs in Photoshop fast! We will look at how I use Liquify to makes a girl’s eyes and lips larger and then how we work with a plus-sized model and reduce her to a typical-sized model using the smudging and puckering and masking tools in Liquify. You’re going to love this tutorial if you’re a portrait, fashion, or commercial photographer, or if you’re just looking to shed some pounds digitally in preparation for that dating profile. VIDEO GUIDE: Convert to Smart Object Opening Liquify Correcting the 16-bit image glowing box problem Liquify to change her face Weight loss with Liquify Squeeze with transform Liquify Mask Tool Pucker Tool to being manipulating the body Smudge Tool to adjust her figure Adjusting smaller details More of the Pucker Tool Before/After Results Adjusting Liquify Real life example of Liquify mask tool usefulness Outro SNAPCHAT & MORE: 👻 tutvid.com.

The reason we learned about the sliders before looking at the Face Tool is that the Face Tool really just gives us another way to adjust the sliders. The difference is, rather than dragging the sliders themselves, the Face Tool lets us click and drag directly on the image. If I hover the Face Tool over one of the eyes, for example, different handles appear. There's a round one above and below the eye, another round one on the side, a diamond-shaped one in the upper corner, and a dotted curved line along the outer edge. Similar handles would appear if I hovered over the other eye. Handles appear around the eye when hovering over it with the Face Tool.

A bigger brush works best. Let’s look at the Reconstruction and Smooth tools. These allow you to brush back in the original image’s pixels. I love this feature because I can fix some of the overly edited areas that now look soft. This tool is accessible by striking “R.” This is important for working on a Smart Object layer.

How To Liquify Photoshop

A dialog box opens – when you press shift your cancel will change to reset (just something that is good to know). On the left side you have several tools including smudge, blow tools, masking tools and more (which are the ones that Dodson demonstrates). To increase the eyes and the moth just click one time on them with a brush that is just a little larger than the eye (too much will look comical). There is much more in this video like changing the figure of a model with the liquify tool and how to make sure areas will not be compromised by the liquify tool.

When you click on the area, it will send the pixels in a counter clockwise rotation. Holding down ALT/OPT will reverse the twirl. The modifier keys (ALT/OPT) are used in the liquify panel for many tools to activate the opposite tool. (S) Pucker Tool is the tool that will make the pixels under the click pucker inward – the opposite of the bloat tool. (B) Bloat Tool is the opposite of the Pucker tool. While using either one of these tools, simply press ALT/OPT to activate the other rather than having to change the tool. This is very important because often you will want to push and pull pixels until you get them just right and it is handy to not have to jump back and forth between the two tools over and over.

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So, if you’d like to make something larger in a photograph, simply activate this tool by clicking its icon and then resize your brush. Click on the area you’d like to make bigger and there you go. In the example below, you can see the size of the brush I used as well as the larger eyes that I bloated. Push Left Tool The next tool I’d like to talk about is called the Push Left Tool. This is one that should be used with care because it’s quite powerful. In later posts, I’ll talk about how you can limit and reduce the effects of each tool, but for now, just know that if you activate this tool, click and drag up, you’ll push whatever content that’s underneath your brush to the left.

But again, the downside is that smart objects can slow down your computer. For me it is worth and I hope it will be for you too.

Keep it more natural. Remember: The more you warp the client, the more work you create.

I quit messing with it and decided I could fix it another way. Step 6: If you have some distortion like I did, add a mask and see if you can cover it up with the original image in that spot. If you have Photoshop Elements 8 or older, use a. If you have PSE 9, just click on the mask icon in the bottom of the Layers Palette. Step 7: Activate your brush tool (b on your keyboard) and make sure it is a black brush and that the mode is normal and opacity is at 100% Step 8: Brush only over the earring.

That mellowed things out and forced the warp back into position some. Twirl Clockwise Tool This tool is extremely straightforward.

This is not the best way to slim a body, but it’s a nice way to showcase the feature. Being Slimming with the Pucker Tool Before I start pushing the sides and legs inward, I like to grab the Pucker tool in Liquify and work on the arms, face, elbows, and any small areas of the body that are not the waist, hips, legs, ribs, or stomach area. Slim the Sides Grab the Smudge Brush tool (Forward Warp Tool) and make the brush very large (larger than the exact area you’re looking to push inward, but nothing excessive) and gently push her sides inward and reconstruct what would be the hourglass shape between her hips and armpits. TIP: Use the square brackets to increase/decrease the brush tip size.

(Z) Zoom Tool is the, well, ZOOM tool. Press Z and then click to zoom in. Pressing ALT/OPT while this is chosen will ZOOM out. NEW – (A) FACE TOOL Adobe has added the FACE TOOL in the Liquify dialog box filled with lots of options to alter the look of peoples faces in Photoshop. The face detection works fairly well and it will pick up on multiple faces in an image and you can adjust them as they are automatically labeled FACE #1, FACE #2, etc. Here is a single face and a few alterations applied just to give you a feel for it. Although admittedly exaggerated for this explanation, you can see the various sliders and how they affect the models face.